Randolph County Heritage Museum
NEWS


Perhaps the oldest standing house in Arkansas,
the Rice-Upshaw House still stands
near the Eleven Point River.

Home
Now Showing
News
Upcoming Events
Area History
Museum Puzzles
Membership/Donations
Online Store
Maps and Links
Contacts
About Us

2-Minute Video from 2008 Dogwood & Cemetery Tour

HERITAGE MUSEUM RECEIVES GRANT
FOR 2008 ARKANSAS HERITAGE MONTH


The Randolph County Heritage Museum has been awarded a grant by the Department of Arkansas Heritage for its proposed 2008 Arkansas Heritage Month project.

Northeast Arkansas Heritage Month Events, May 2008

May of each year is designated as Arkansas Heritage Month. The theme for 2008 is Arkansas Political Heritage: Let the People Rule.

“This was our first time to apply for the grant and as soon as we saw the theme, we knew what we’d want to do,” said museum director Cindy Robinett. “It had to be something to educate our county about Governor Thomas S. Drew.”

Robinett and local historian Bill Carroll wrote the grant proposal which entailed creating an educational supplement for Randolph County’s schools. The proposal was submitted for consideration in December and the award was announced this week.

Robinett and Carroll will be the primary writers for the project, along with local educator Derek Clements and Drew descendent and author Carla Rabinowitz. All will volunteer their time in researching, writing and completing the project.

“Governor Drew’s life was anything but ordinary,” said Robinett.

Drew (1802-1879) married Cinderella Bettis, the only daughter of Ransom Bettis, the founder of Pocahontas. Robinett added, “Drew has been the only Arkansas governor from Randolph County. Unfortunately the vast majority of our residents know little or nothing about Gov. Drew. Hopefully this project will change that fact.”

The grant award in the amount of $1,909 will fund the purchase of materials for the project, such as paper, CDs, binders, etc. and the project will be completed this summer in time for the schools to have them by August.

“One of the primary goals of the museum is to join with others in the community to promote our local heritage. Another goal is to educate,” said Robinett. “The support and generosity of the community and the dedication by the volunteers who make up the auxiliary staff have enabled the museum to absolutely swell with success.”

Any local educators interested in learning more about the project are asked to contact the museum at (870) 892-4056 or e-mail Robinett at heritagemuseum@centurytel.net.

The Randolph County Heritage Museum is now open six days a week: Mondays, Wednesdays, Fridays, 10 am-4 pm; Tuesdays and Thursdays, 9 am-5:30 pm; and Saturdays 10 am – 1 pm. There is no admission charge to visit the museum.

Publication:Arkansas Democrat-Gazette;

Date:Dec 28, 2007;

Section:Arkansas;

Page Number:15

  

 

Group hoping to make U.S. 67 a rocking road
Fans say music highway will draw tourists

BY KENNETH HEARD ARKANSAS DEMOCRAT-GAZETTE


    WALNUT RIDGE — Sections of U.S. 67 from Bald Knob to the Missouri state line in Clay County lie forgotten among the small towns the roadway traverses as construction continues on a rerouted four-lane replacement.

    But for Elvis Presley, Johnny Cash, Sonny Burgess, Billy Lee Riley and other rock ’n’ roll musicians in the 1950s, U.S. 67 was the road to stardom. They performed in the Silver Moon and Porky’s Rooftop in Newport and Bob King’s in Swifton, honing their talents for the big time.

    Now, a group of music fans from Randolph, Lawrence, Clay and Jackson counties want to preserve the old highway, giviing it a historical designation and creating tourist stops along the 100-mile route.

    “We want to make this a lasting legacy and benefit the economy of the region,” said Gary Gazaway, a Pocahontas musician who first thought of converting U.S. 67 into a rock ’n’ roll tourist venue in 2005.

    “Nearly a million people go to Graceland every year,” he said. “A lot are from Europe and overseas. A lot drive down U.S. 61 to Clarksdale, Miss., to see the Blues Highway. Let’s get them to come here.”

    Organizers met in Walnut Ridge on Thursday for the first time, hoping to gain historical status for the highway from the state Highway and Transportation Department. They also shared visions of economic gain for the area.

    “The new highway will bypass all those areas,” Gazaway said. “This will direct tourists right there.”

    Linda Oakley Bowlin of Pocahontas sees holding rock ’n’ roll concerts along U.S. 67 and constructing small museums and gift shops at the various towns along the road.

    “We’re not the Ozarks,” she said. “We’re not the Delta. But we’ve got something important, too.”

    She envisioned installing plaques at various stops along the way, signifying birthplaces, memorial events and other rockabilly items.

    Henry Boyce, a Newport attorney who organizes the Depot Days in the Jackson County town, agreed with Bowlin. “If people come over here from Memphis, they want to see something,” he said. “We need at least one big thing for each county.”

    U.S. 67 begins at the Jackson County line near Bald Knob and heads northeast through Bradford and Newport and then north through Swifton, Tuckerman, Hoxie and Walnut Ridge.

    Bill Rice, an award-winning country-and-western songwriter, was born in Pocahontas, along with Riley, points that will be noted on the highway.

    The road then heads north from Pocahontas to Corning and then to the Missouri state line.

    In the mid-1950s, Presley played at the Silver Moon in Newport and at Bob King’s, a small honky-tonk in Swifton. Riley and others also traveled the road, playing to packed venues along the way.

    “Busloads of people travel to Tupelo [Miss.] to see Elvis’ home,” said Sonny Burgess, who attended Thursday’s meeting. “They’d make the same trip over here to see where he played.”

    The music was called “rockabilly,” a genre that formed in the early 1950s as white Southern musicians tried to imitate the upbeat tempos of B.B. King, Louis Jordan and other black musicians. Rockabilly was influenced by rhythm and blues and acoustic country music.

    Although the name for the style stuck, Burgess disagrees with the classification.

    “We were rock and rollers,” he said.

    The group on Thursday named as its director, Marvin Schwartz, a Little Rock author who is writing a book about the Silver Moon and rockabilly music.

    Schwartz estimated it may take up to five years to get the highway designated and to implement tourist attractions.

    Gazaway first thought of honoring Randolph County-born musicians during the Pocahontas Sesquicentennial celebration held in September 2006. But, Gazaway, who has played trumpet for Joe Cocker, Stevie Ray Vaughan, Steve Winwood, Phish and the Memphis Horns, opted to make the effort regional.

    “This area is very significant in rock ’n’ roll,” he said. “All the current artists credit the rock ’n’ rollers from here for influencing them. This is a way to show that off.”

    Once the U.S. 67 project is completed in Arkansas, Gazaway said he’d like to develop it further and make the trek musicians used from Chicago to Dallas as the “U.S. Rock and Roll Highway.”

 

2007 Harvest Festival Photos
(click a thumbnail photo to enlarge, then use your browser's Back button to return to this page)


Local Museums to offer Historical Dance Series

The Arkansas Historical Dance Series, a book and video set, is a unique collection of 8 short documentaries (5-11 minutes each) on traditional dance, music, and culture stretch­ing from territorial times to the present. Their titles are: A “Frolic” in Territorial Times, Jigging & Clogging, Old Time Square Dancing, Play Party Games, The Victorian Ball, Riverboat Days, Modern Western Square Dancing, and Black Dancing Traditions. Each segment is supported by a text and rare, historical photographs.
The text (68 pages) includes a program summary, an historical perspective of the period and activity, a glossary of special dance and music terms, as well as dance descriptions, and suggestions for follow-up activities. Student work sheet packets are available for classroom use.
This project started in 1987 when the Arkansas Country Dance Society (ACDS) received a grant from the Arkansas Endowment for the Humanities to produce two audio tapes of string-band dance music together with a text that could be used to support the preservation and teaching of traditional dance in the schools and communities of Arkansas. The tapes were soon completed and are available from ACDS. Over the years the text grew into a full length book which is the basis for the enclosed text and the 8 documentaries which were produced in cooperation with the Arkansas Educational Televi­sion Network (AETN).
The videos were written and directed by Dr. David R. Peterson and Dr. Charlie Sandage. Dr. Peterson wrote the text, the student work sheets, and collected the historical pictures.
Dr. Peterson, who visited Pocahontas during the Heritage Festival and was the “caller” at the Harvest Ball, is a mathematician by aca­demic training but a dance caller, musi­cian, musical instrument builder, stone ma­son, log house builder, etc. by avocation. He helped found the ACDS in 1978 and has been president since. He is well known for his dance leadership and calling. Dr. Peterson has a joint appointment as Profes­sor of Mathematics and Director of the Ozark Heritage Institute at the University of Central Arkansas in Conway.
Dr. Sandage is and has been many interesting things: college teacher, academic administra­tor, performer/songwriter, music director at the Ozark Folk Center, music show producer, and television producer. He currently produces educational programming for the AETN.
The series set is also available online at www.randolphcomuseum.org and www.herroncenter.org.

Caption: Mrs. Judy Downs of Pocahontas, President of the Northeast Arkansas Living Historians and Dr. David Peterson of Greenbrier display the “Historical Dance Series” at the Harvest Ball held during the recent Heritage Festival. The Arkansas Historical Dance Series (book and video set) are available at the Randolph County Heritage Museum and Eddie Mae Herron Center for $12 plus tax.

Vintage Apron Show Great Success—Held Over

After months of planning, the Vintage Apron Show hosted by the Randolph County Heritage Museum opened Saturday, August 11 and wowed all visitors to the extensive exhibit.

With nearly 200 aprons on display—ranging from an 1850s Masonic apron and a World War I Era apron brought home from Europe (both on loan from Virginia Stevens)  to the scores of aprons dating from the Great Depression though today, the show presented a wide variety of color, purpose, taste and style.

Local historian Mrs. Anna Lue Cook displayed an antique ironing board and iron, a washboard and antique, hand-crank washing machine, as well as flour sacks designed to become aprons. Additionally, Mrs. Cook demonstrated how to churn butter with an authentic crockery churn which sat on the floor and was worked by a long handle. Also several pieces of Depression Era glass were displayed from the collections of Virginia Stevens.
Anna Lue Cook instructing museum visitors on how to churn

Virginia Stevens, event coordinator.

“Originally, the idea to put together such a show came from Joyce McFall Castleberry, a native of Pocahontas who now lives in New York,” said Five Rivers Historic Preservation, Inc. President Linda Bowlin. The planning committee was led by Virginia Stevens and Anna Lue Cook and included Linda Bowlin, Linda Eveland, Billie Ruth McFatridge, Rita Wadsworth, David Bowlin and Ralph Cook.

Aprons and related artifacts were loaned to the museum from across the county from a multitude of residents, including Anna Cook’s extensive collection of aprons, Mary Freeman, Margaurite Brown (sister of Rosemary Bowlin who contributed an apron belonging to their mother Ellen Rhodes), Rita Jean Pearcy, Charlotte Sullivan, Sharron White, Shirley Chester, Alta Crawford, Ann Carroll, Sharon Thielemier, Cletis Neece, Elaine Ragan, Becky Luffman, Kathryn Dust, Hannah Roberts, Cindy Robinett, Nancy Toney and others.

The show was featured in the Jonesboro Sun and during Saturday’s show, a television documentary journalist from Jonesboro visited the show to interview the participants and video the show.  

With approximately one hundred visitors signing the guest book on Saturday, it was quickly decided to extend the show through the end of August.

The museum is open to the public during regular hours of operation Mondays, Wednesdays, Fridays from 10 a.m. – 4 p.m. and on Saturdays from 10 a.m. – 1 p.m. There is no admission charge to visit the museum which is located on the historic court square in Pocahontas, just off Hwy. 67. For more information, call (870) 892-4056, visit online www.randolphcomuseum.org, or e-mail heritagemuseum@centurytel.net.
Scenes from Harmon Seawel's Early June Book Reading: The Fourche River Valley


Our nomination of Pitman's Ferry to the Arkansas Preservation Alliance was accepted and was announced May 10 as one of the 9 historic sites in the state included on the 2007 Endangered List.

This is a first step in getting recognition for the site so that it might ultimately be preserved. Work may also begin on getting the site designated as an Arkansas Historic Monument.

Catherine Candy of the Arkansas Archeological Survey (engaged in the dig at Old Davidsonville) says Pitman's Ferry is one of two sites in Arkansas that qualify for National Historic Monument status--the other being already so designated Arkansas Post.

Campbell Cemetery, right, in southeast Randolph county was also one of the nine sites named to this year's list.

Read the writeup at the Arkansas Preservation Alliance website HERE.


  Grant Awarded For Preservation
of Two of Arkansas' Oldest Residences

From "The River's Edge" newsletter, Black River Technical College,
Pocahontas, Arkansas

A grant awarded Black River Technical College, Pocahontas, in May 2006 will allow for the research and planning phase of what local officials hope will be the eventual restoration of two historic structures in Randolph County. The two structures, known as the Rice-Upshaw House and the Looney-French House, are among the state's oldest.

The $194,000 grant was awarded by Arkansas Natural and Cultural Resources Council in Little Rock. Funding for the grant is provided through the real estate transfer tax, or the sale of deed stamps.

 

Pictured, from left, are Jack French, Christina French, Dorothy Jean Upshaw, Dr. Jan Ziegler, VP for development, and BRTC President Richard Gaines. They are shown with a sign designating the role of the ANCRC in the project. The French and Upshaw Families donated the two houses to BRTC for preservation.

Dendrochronology, or "tree-ring dating," indicates the logs from the Rice-Upshaw House were cut in about 1826, with construction believed to be in 1828, making it the oldest standing structure of its kind in Arkansas. The Looney-French House has been documented as being only slightly "younger," constructed in about 1833. This structure is believed to have been originally a tavern or inn, making it also the oldest such structure in the state.

The houses are located about a mile apart on opposite sides of the Eleven Point River near the Dalton community a few miles north of Pocahontas. The houses have remained in the ownership of descendants of the original interrelated settler families of William Looney and Reuben Rice since their construction. The homes' owners, Dorothy Jean Upshaw and Jack and Christina French, have donated the structures to Blace River Technical College (BRTC) in order to gain eligibility for grant funding to preserve and restore the historic structures. The grant will be used for development of a master plan to outline specific architectural work as well as the long-range community use of the facilities, according to Dr. Jan Ziegler of BRTC. In addition, the grant includes funding for immediate stabilization of the structures to prevent further deterioration until the actual restoration work can begin.

 

Rice-Upshaw house as it looks now (compare to the long-ago photo at the top of this page).
This photo, and those below, from 2003 Early Arkansas Settlement Study conducted by Joan Gould, Historic Preservation Specialist, Fayetteville, Arkansas.



Other elements of this phase of the grant are for further historical and architectural study to learn more about the structures and the families and enslaved people who built them, as well as other structures or outbuildings that may have completed the farmsteads.


 

View of a stairwell in the Rice-Upshaw house. Note the rough-cut logs in the background, from which the house is built.


The actual level of restoration and the specific use for the structures will be determined during the process of developing the master plan over the next twelve months Ziegler explained. "This process will involve work by a preservation architect and historical consultant, along with more archaeological research. We'll also seek extensive public input through a series of public meetings," she added. "We anticipate that these structures will serve in some capacity as an agricultural and historical educational center," Ziegler said. "Their preservation will serve as the perfect vehicle for us to study and uncover elements of early Arkansas history, something of interest not just locally, but to a much wider audience."


 

The large Looney-French house, located on a hill above the Eleven Point River,  was both a home and, it is believed, the oldest still-standing tavern in Arkansas.


"We are so pleased the families had the vision to work with us to help preserve these valuable pieces of our heritage," said BRTC President Richard Gaines. "We understand this is a lengthy process, but we are extremely hopeful that we can seek continued funding support to see this through to eventual restoration of the structures."